The scale of G major requires an F sharp so that the pattern of whole steps and half steps is according to the major scale formula. These steps are according to the major scale formula. And since the pattern is the same, we get the same sound (except that it begins higher or lower).įor example, the scale of G major requires an F sharp so that the distance between the 6th and 7th notes is of a whole step, and the distance between the 7th and the last note is of a half step. The sharps and flats of all key signatures are there so that no matter which note our major and minor scales start on, that pattern of half steps and whole steps is always the same. The video below is an example of a beat in G# Minor.Half steps and whole steps on the keyboard The same half steps and whole steps notated on the musical staff. Another solid choice for a Hip Hop or Trap melody.Ĩ08’s and Heartbreak! A good key for a downbeat song about love and relationships, also one of the most widely used for Trap. This is a great musical key for a positive song about love, or a House track.Īnxious, worried about a failed scheme paranoid and on edge. A really good choice for a Trap melody, also used a lot in Tech House. Triumph over difficulty – started from the bottom now we here! A good choice for a range of genres and anything triumphant. Another commonly used key across multiple genres, a good choice for Future House.ĭeep, dark and agressive. Another good key for a ballad or emotive track.Īngry but holding it down and getting on with it. A very common choice across multiple genres.Ī key for being lovesick, rejected and in your feelings. This is particularly effective when combining keys that share many of the same notes. It’s also totally acceptable to create something new and unexpected by combining elements from different keys in the same song. As an example A Minor and C Major are easier as the lack of black notes makes it simpler to play parts in on a keyboard or edit in a piano roll. It’s also worth bearing in mind that some keys are more straightforward to work with than others when it comes to playing and editing. As an example, C Major uses C D, E, F, G, A and B. All this means is that each relative Major and Minor key uses the same notes. This is because each Major key has a relative Minor key. You’ll notice that keys are listed side by side and vertically. Once you have decided on the musical key of your track, simply choose from the drop down menu on the left side of Melody Sauce, as seen in the image below. It isn’t an exact science, but it’s a great guide to get you in the right ballpark. You can use the list to help decide the most appropriate key for your track. The list below is a really useful breakdown of the typical feeling and emotion for each musical key, adapted from Christian Schubart’s Ideen zu einer Aesthetik der Tonkunst and translated by Rita Steblin. What is really worth thinking about before you begin is what emotion and feeling you want from your track. This guide will help you choose the right musical key when using Melody Sauce in your project, so you can generate amazing melodies quickly and easily. Don’t worry though, you don’t have to be a whizz on the Piano to get started. Even choosing the right musical key can be hard. Writing melodies can be tough if you don’t know any music theory.
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